Element ingestion and digital asset management are concepts which revolve around the hub, Workflow. These concepts originated from the post production digital media years ago.
A requirement for work space which is non linear helped in the evolution of work flow for video post, films and DVD. However, Final Cut Pro and Pro Tools the random-access landscape looked straight as a razor as compared with the Blu-ray: BD-Live’s interactive iteration three dimensional feature.
While a lot of data can be stored on the DVD, the content on the disc is what ultimately manifests on the screen. This effectively limits the scope for manipulating the content beyond a certain extent.
Unconnected BD disc of the first generation provides for a lot of space, at least 50 GB on discs of dual layer. This is large enough compared to the negligent 5 to 15 GB capacity of DVDs.
All you have to do is to connect the BD player to the internet and the potential capacity is almost infinite. Emergence of a work flow paradigm to accommodate this freedom is imperative to handle the infinite capacity.
Certain features found in BD Live are a first of their kind in DVD authoring. The aspect of memory has to be taken into consideration during the BD title creation according to the Giant Interactive digital operations Vice President Pi Waller. This firm produces catalog film titles and television series is an authoring facility based in New York. BD Live’s approach to a disc title includes other interesting and unique features including picture-in-picture, bookmarking, etc.
